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Enterprise 2.0 Conference (Boston)

7 Jul
Enterprise 2.0 Conference

My Enterprise 2.0 Conference schwag

One of my many roles at my company (United Business Media) is a local Community Manager. I was offered this role, in addition to my Digital Development Manager role, when I learned that our CEO wanted our company to have access to an internal wiki community – a departure from the old-school intranet we’ve always had. Since then (~12 months) I’ve being building the community trying to stimulate employee engagement and develop a community everyone can benefit from.

So when I learned that my fellow Community Manager colleagues around globe were attending the Enterprise 2.0 conference in Boston I began my pitch internally to attend. After a few attempts my CEO agreed and sent me packing.

So what exactly is Enterprise 2.0?

Enterprise‘ refers to an organisation (usually large) that is created for business ventures. Corporate establishments are enterprise in nature – usually involving thousands of employees. ‘2.0‘ gets its name from the now fashionable Web 2.0 collective – content communication tools (involving various mediums like blogs, video, audio etc…). So, Enterprise 2.0 is the exploit of web 2.0 tools within an enterprise.

The conference was amazing. Whilst technology, ROI, risk and tools were spoken about at large, I’d sum my conference experience up in three words: Community, People (including new networks) and Collaboration.

Buzz word bingo

There was a plethora of buzz words pushed around in conversation both on and off stage as strings of words were mashed together forming Social Media word-ups (buzz word mash-ups). Some attendees and speakers actually offered tangible insights, sharing useful tips and case studies examples. Dion Hinchcliffe‘s ‘Implementing Enterprise 2.0: Exploring the Tools and Techniques of Emergent Change‘ was a highlight. Dion’s session was popular with delegates forced move rooms to accommodate swelling numbers. His workshop was rather overwhelming though as he addressed the state of enterprise 2.0 and the tools being employed by companies who ‘get’ it. I soon realised that I’d needed to up the ante and decode his (and other speakers) jargon-infested ROI arguments (all valid of course). I concentrated on tangibles – the can do’semployees are social both in their social lives and at the office and business leaders need to understand this and get involved.

IT concerns

Various security vulnerabilities were discussed. IT folk focused conversations around corporate security concerns and the lack of homogeneous integration of existing information systems (like SharePoint) throughout the company.

Community heroines

In one session, Connie Bensen spoke about the benefits and features associated with online communities: lead generation, customer acquisition, retention and satisfaction. She also reminded us what makes up a successful connection between customer and you (the organisation): trust, loyalty, word-of-mouth, brand awareness and ROI.

Community relationships are based on common-sense: talking to customers and NOT at them.

She included some useful tips for success:

  1. Start with a small group
  2. Have executive sponsorship
  3. Actively interact online
  4. Engage with advocates and build relationships
  5. Incorporate ideas from the consumers
  6. Train and recruit other staff to participate
  7. Share success internally

Networking

I, like most delegates, found the networking opportunities useful. On Monday I attended a tweet-up, The Community Roundtable, meeting interesting folk (and meeting Connie). Then on Tuesday I attended another Enterprise 2.0  and An Event Apart shared tweetup meeting more great people, including David Armano briefly who I have huge respect for.

Enterprise 2.0 photostream

Enterprise 2.0 photostream

My global team mates

The Enterprise 2.0 Conference also gave me a chance to meet my fellow Community Managers. Our company Wiki Community Manager, Ted Hopton, was a panelist on the Strategies for Building Sustainable Online Communities session on Thursday. His manager and the global community management team watched on as Ted delivered ueful tips to help build communities and roll-out strategies. He also conceded that a few mistakes were made, but that was part of the learning process. What I found interesting was meeting them face-to-face after spending ~18months connecting online. The conference gave me a chance to have more meaningful conversations and tactical discussions about the future of our roles with the Wiki.

Tweet your Flickr pics

30 Jun

The seemingly endless rush to integrate continues. Now you can tweet your Flickr photos using Twitter. The link to the photo is wrapped up in a Flickr link shortner – http://flic.krBecause they add the Flickr URL, you should be thinking in 116 characters – not 140.


To the use the service you need to:

1. Have a Flickr account
2. Have a Twitter account
3. Authorise your Flickr account (via Twitter)
4. Have fun…


Box.net: progress interaction

30 Jun

Box.net's UX activity progress design pattern is what makes box stand out from the crowd. They 'get it' and truly understand how to design a user experience many other websites should mimic.


The specific elements that inform the user of what's going on: 1. background page faded – focus on activity 2. 'Uploading 6 files' – user knows what's happening and how many files are being uploaded 3. Visual progress bar – shows relative progress that's dynamic 4. Upload metadata: upload speed, total file size, upload rate and time left to upload 5. Up-sell for quicker upload speeds 6. 'Hide Popup' – further options available to user while files are being uploaded

Good website signup practice

27 Jun

With so many websites competing to attract users – to sign up for their products/services – it becomes increasingly important to make sure the website’s sign-up process is easy and obvious to use, and appeals to the prospective user. A technique used by designers (and An Event Apart designers) is to remove the ‘technical face’ from the sign-up process. Users feel more at ease with site and this builds trust with its owners.

Specific elements about this design I like include:

  • Join the mailing list!” – no machine-generated words like ‘subscribe’
  • Don’t” – avoiding words like ‘Do not’ – casual and human language
  • required” – avoiding the commonly used asterisk ‘*’ minimising user confusion. Making it readable also helps with screen readers too
  • Email address box that spans the entire page – making it obvious where the email address is entered
  • Pretty HTML” – understandable words for non-tech users (not everyone understands what HTML means)
  • We swear on a stack of W3C specifications” – using humour to soften the important stuff and not scaring subscribers off.

About Face 3, The Essentials of Interaction Design

9 Jun

I’ve just today taken ownership of my copy of Alan Cooper (and Robert Reinann & David Cronin) which I ordered through Amazon.

The Daily Telegraph billboard ad

6 Jun

The Daily Telegraph has cleverly shown fantastic entreupenurial spirit.

I loved this billboard ad I saw at my local train station – Dorking. Recently, The Daily Telegraph has hit the news for its circulation resurgence mainly as a result of their ministers expenses exposure. However, during economic hardships what better way to pump up a nation by reminding people where big brands stared their businesses – from humble dwellings:

  • Harley-Davidson started here (wood shack)
  • IKEA started here (small shed)
  • Google started here (home garage)

Kudos to their marketers.

mOma leaflet

6 May

Book Review: Understanding Comics

22 Apr

Understanding Comics, by Scott McCloud

WORDS + PICTURES purposefully arranged in sequences produces a powerful affect that has exponential benefits.

Understanding Comics: Scott McCloud

Understanding Comics: Scott McCloud

The book

Scott has single handily changed the way I see comics now. I’ve always considered comics juvenile. To support my view I decided to visit a local bookshop (WHSmith) to see if they sold comics and if so, which shelf. I wasn’t surprised at where I’d found it (see photo below), but rather that they’d even stocked one. I noticed too that it was buried amongst the children’s magazines.

Spiderman Comic on WHSmith shelves

Spiderman Comic on WHSmith shelves

Scott uses the comic medium to great effect – communicating the meaning of comics with comics. His narrative is personal and engaging. I often felt part of his world and character. I found myself empathizing with the apparent lack of definition, understanding and industry recognition.

In the first chapter Scott tells the scene of him addressing an audience where he invites feedback on a suitable and all-encompassing definition. I found myself drawing comparison’s with recent discussions in the IxDA community when pontificating around the job description discussions. Unless you’re in a well established profession people are desperate to define their titles – professional survival.

There were occasions where I felt he harped on about a specific issues (for example, his use of different personas coming to grips with their personal degrees of success and understanding of comics – chapter seven, page 173-180)

Scott’s ‘The Six Steps‘ path of understanding was insightful. The six steps path is common across many types of crafts in my opinion.

Comics – my view after reading Scott’s comic

Using comics is an extremely powerful way to telling a story. Scott has shown me – both through his passion for comics and his book – that I should not ignore this form of visual communication. I’m now interested to learn more about creating comics so I taken some steps (or paths) as Scott puts it to:

  • read the comic, 
  • read and truly digest the content – not just the form, 
  • ‘look’ for comics/identify comics,
  • buy a comic book (Spiderman above) to understand it and 
  • invest in an instruction manual – ‘How to make comics’ by the very man (Scott McCloud).

A feature of a good comic, which I now realise, is it seems that comics has the ability to add far greater meaning and depth to a story in areas difficult to achieve in other mediums. For example, ‘space’ – the invisible part – between frames adds further dimensions and context to the juxtaposed frames.

Comics – for UX story-telling

We cannot deny that good story-telling is important in interaction design/user-experience design. Comics provides us with a good medium to tell stories. I’m, however, not totally convinced using a comic for IxD is a good idea? Unless you’re an expert. Comics IMO are synonymous with fiction or super-hero fantasy stories – stories that just won’t be taken seriously. Real-world business ‘stories’ sits awkwardly when used as comics. If, on the other hand, the audience you are communicating to’ understands by separating content (the story) and form (the medium) then I cannot suggest a better way of delivering a story. This is perfectly illustrated by Scott’s comment:

Never mistake the message from the messenger
Scott McCloud, Ch 1 pg 6.

Practice – my attempt at a comic

My attempt at a single rectangle comic

My attempt at a single rectangle comic

References:

Buy the book from Amazon.co.uk
Listen to Peter and Scott McCloud talk about comics. (audio MP3 file)

Your Twitter profile

13 Mar

Listen and observe

Social Media experts often advise that your profile (that describes you or introduces you) is an important part of your online identity and existence. Without a concise and relevant biography visitors to your profile have no way of knowing who you are or what interests you? Remember, for people to join your world there needs to be that shared interest. How does a potential follower know there’s a common interest immediately? Your profile.

Know the detail

Twitter profile panel (@robenslin)When you begin constructing your Twitter profile spend time piecing the detail so that makes human sense (not marketing sense) – as if you were introducing yourself to someone for the first time perhaps? Make sure it’s not waffle and that it says what it is – short, concise and accurate. Your public profile detail includes: Name, Username, More Info URL, One Line Bio, Location. Ensure that when you set up your account you give careful attention to these five fields.

If you don’t have a website (blog) leave it blank – do not add some random url in that field.

Twitter by it’s nature only allows you limited field length to describe yourself so be prudent. The best way to know whether your biography reads correctly is to read it out allowed – to yourself (or better someone else) and humanise (amend for humans) if required.

The avatar and background

Avatar with faceIn a social networking world (here we’re using Twitter) you are your brand. Your face is key. There are successful Twitter users who have abstract images or non-face-like avatars with many followers, however to build your Twitter community and connect, seeing a face ‘tells’ the viewer that there’s a real person on this account.  Having a face for your avatar is like meeting and being introduced to a group of people for the first time – people can see you and start to understand you. This human element is partly how ambient intimacy develops between followers, trust then develops and communities formed. If you need more profile information or branding, Twitter has a customise background option which is very useful. Here’s a great example of a funky background which supplements this Titter account well.

Expert view

Julius Solaris (Why your Twitter profile matters.)

With every online profile, the rule of thumb is either you have a good one or you don’t have one at all.

An incomplete profile not only unhelpful in facilitating conversation of whatever your objective is with a social network, but it can actually cause harm to what you are aiming for. My basic suggestion is to complete a profile each and every time where there is a prompt by the platform.

If Twitter asks you for your location, it’s a good practice to include your actual location you live in. I don’t  tend to follow people who answer “citizen of the world” or indicate just their country. If the objective of having a Twitter profile is fun and personal that may be relevant, but if you actually value Twitter as a great tool to exchange timely and relevant information, that is not the case.

Most people suggest having a customized background with your picture and other information. On one hand that may indeed be helpful, however on the other hand sometimes not and I’ve witnessed incredible abuses of the latter, with extremely flashy adaptations. When in doubt leave it as it is or choose simple backgrounds that facilitate reading of your tweets. Noise is not a good thing.

Your twitter name is the most important aspect of your profile management. Every time (100%) you start with a funny name, you will end up changing it causing a lot of distress for your followers. That happens for two main reasons:

  • Firstly, because most of us start using Twitter as a fun tool, then they discover that it is actually more serious than that. Therefore, chatting with your boss as @thecooldrunk becomes immediately irrelevant.
  • Secondly, there are more and more Twitter events which use name tags with your Twitter name on it. It’s not appropriate to mingle and meeting new people as @lonelycreep.

Lastly, another key point in choosing your Twitter name is to keep it short so that when people need to @reply you they don’t waste much of their precious 140 (letter characters) real estate. Again, as a rule of thumb variations of your first name with initials of your surname are fine. @NameSurname is also fine provided you do not have a very long name.

[with thanks to Julius Solaris]

6 types of avatars used on Twitter

2 Feb

Now Twitter is everywhere! From the net, WOM (Word Of Mouth), TV and radio all sorts of personalitites are emerging on this platform. From serious business-focussed users to fun and light-hearted users. I’ve compiled a list of Twitter avatar types which you can base their primary activity from – looking at the style of their photo.

It’s worth bearing in mind that an inherent beauty of the avatar is you can change it whenever you want or indeed need to. 

Ever wondered what type of avatars are being used? Here’s just a few types that spring to mind. If you have any further suggestions let me know?

 

1. Fun / Animated type

I’ve added this category first because I think Twitter was originally designed with this in mind – fun. Fun avatars are just as the name suggests – for fun so there’s nothing too serious about them. Many of these animated-type avatars (@jasonsantamaria and @daveIxD) are designed using Face Your Manga.

@jasonsantamaria@daveIxD

 

2. Real-life: serious and quirky type

On to the serious folk - @jowyang and @drewm - these guys are top of their game. You’ll find very useful information from their tweets.

@drewmpeek_bigger

 

3. Logo type

Using logo’s as part of a Twitter avatar has become quite common now. Companies (@twittilicious and @zappos) use their logos as part of the branding to convey advertising messages

@twittilicious@zappos

 

4. Messages type

Tweeps are also using their avatars to convey messages. Here @Greenpeace_Intl use their ” to convey their recent campaign message.

@Greenpeace_Intl

 

5. Object/Activity-oriented type

This type of avatar goes without saying. For event organisers – @SocialNetworkWF and @where20 –  what better way to provide essential information to followers.

@SocialNetworkWF@where20

 

6. Topical type

Common these days too are avatars based on current trends or topical conversations. @ciaranj‘s recently posted a snow photo on Flickr an dit made it to Channel 4 news so he changed it to reflect his ‘attention’.

image019_7_bigger

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